This week: we look back to the fall of 2013 with a rebroadcast originally from the Fitzgerald Theater in downtown Saint Paul, Minnesota. Central Time troubadour Pokey LaFarge sings "Close the Door" and "All Night Long"; Heather Masse and pianist Jed Wilson perform "Everybody's Cryin' Mercy" and "Hey, That's No Way to Say Goodbye"; and Joe Newberry stops by with his tunes "The Darker the Night the Better I See" and "Singing As We Rise." Plus: Guy Noir meets a few irritable nursery rhyme characters, a message from Raoul and His Cool Car Service, and guitarist Dean Magraw delivers a little early autumn warmth on "Watchdoggin'" with help from Rich Dworsky and the band. In Lake Wobegon, Laurel returns to town from Long Beach, California, after 22 years.
Notes from Jed Wilson about this weekend's rebroadcast:
My most vivid memory has to do with the dead air that occurred right before "Everybody's Cryin' Mercy," an unintended consequence of [Heather Masse and I] having failed to decide together who would count off the tune. The silence -- broadcast to millions -- lasted all of a handful of seconds, but it created a portal into a dark infinity. There was the sensation of falling forever, a sinister timelessness not accounted for in Newtonian physics. I don't remember who eventually counted us in, but that return from the abyss felt like breathing air again...
  • Pokey LaFarge

    As a kid, Pokey LaFarge was drawn to the music of Howlin' Wolf and Muddy Waters, later tempered with a big helping of Bill Monroe and Bob Wills. Over the last decade, the St. Louis-based performer has won fans worldwide with his own creative spin on a mix of early jazz, string ragtime, country blues, and Western swing. His most recent album is Pokey LaFarge (Third Man Records). The band: Adam Hoskins (guitar), Ryan Koenig (harmonica, percussion), Joey Glynn (bass), Chloe Feoranzo (clarinet, saxophone), TJ Muller (trumpet).
  • Heather Masse

    New England Conservatory of Music alum Heather Masse is a one-third of the Juno Award-winning Canadian trio The Wailin' Jennys. Recently, she also joined forces with piano legend Dick Hyman to release Lock My Heart (Red House), a mix of Heather's originals and Tin Pan Alley classics. Even in his teens, pianist Jed Wilson was active on the Portland, Oregon, jazz scene. Since earning a degree from New England Conservatory, he has collaborated with a number of artists, including Heather Masse.
  • Joe Newberry

    Missouri native and North Carolina transplant Joe Newberry has played music most of his life. Known for his powerful banjo work, he is also a prizewinning guitarist, fiddler, and singer. He plays with the string band Big Medicine, with Bruce Molsky and Rafe Stefanini as the Jumpsteady Boys, and in a duo with mandolinist Mike Compton. Live, Joe's 2012 recording with Compton, mines the brother duet music of the 1930s and '40s.
  • Garrison Keillor

    Garrison Keillor was born in 1942 in Anoka, Minnesota. He went to work for Minnesota Public Radio in 1969, and on July 6, 1974, he hosted the first broadcast of A Prairie Home Companion in St. Paul. He is the host of The Writer's Almanac and the editor of the Good Poems series of anthologies from Viking.
  • Rich Dworsky and The October Boys

    Keyboardist, composer, and arranger Richard Dworsky is music director for A Prairie Home Companion. He has also accompanied Garrison Keillor on U.S. and European concert tours and has collaborated with numerous other performers, including Al Jarreau and singer/actress Kristin Chenoweth. Among his many CDs is So Near and Dear to Me (Prairie Home Productions).

    When Richard Kriehn turned 10, his mom bought him a mandolin; at 19, he'd won the Buck White International Mandolin Contest. He went on to play with the Nashville Mandolin Ensemble and bluegrass group 1946, and he was principal second violin for the Washington/Idaho Symphony.

    Gary Raynor (bass) has performed with the Count Basie band and Sammy Davis Jr., with whom he toured for several years. He was first call for dozens of touring Broadway shows, including the first presentation of The Lion King. Gary teaches at the McNally Smith College of Music in St. Paul.

    Marc Anderson's studies of percussion traditions have taken him from Ghana and Brazil to China and New York City. He has appeared on more than 250 recordings, performing with Peter Ostroushko, Dean Magraw, Greg Brown, Taj Mahal, and many others. His own albums include Ruby (Innova Records) and Time Fish (East Side Digital Records).

    Guitarist Dean Magraw studied at the University of Minnesota and the Berklee School of Music in Boston. His first recording, 1994's Broken Silence, won the NAIRD award for Best Acoustic Instrumental Album of the Year. Dean has since turned out a bunch of dazzling albums, including his latest, Reservoir (Acoustic Music Records), a collaboration with Sandor Szabo.

  • Tim Russell

    One minute he's mild-mannered Tim Russell; the next he's George Bush or Julia Child or Barack Obama. We've yet to stump this man of many voices. Says fellow APHC actor Sue Scott, "He does a better Ira Glass than Ira Glass." A well-known Twin Cities radio personality and voice actor, Tim appeared in the Robert Altman film A Prairie Home Companion and the Coen brothers' A Serious Man. Tim has also been reviewing films professionally for over 10 years.
  • Sue Scott

    On APHC, Sue Scott plays everything from ditzy teenagers to Guy Noir stunners to leathery crones who've smoked one pack of Camel straights too many. The Tucson, Arizona, native is well known for her extensive commercial and voice-over work on radio and television, as well as stage and movie roles, including the part of "Donna" in Robert Altman's A Prairie Home Companion.
  • Fred Newman

    Sound effects man Fred Newman is an actor, writer, musician, and sound designer for film and TV. Turns out, no one is more surprised than Fred that he's made a career out of doing what he used to do behind the teacher's back -- crossing his eyes, making sounds, and doing voices. He readily admits that, growing up, he was unceremoniously removed from several classrooms, "once by my bottom lip."