Neil S. Blaisdell Center, Honolulu, Hawaii
Performers
Garrison Keillor, Sue Scott, Tim Russell, Fred Newman,
The Guy's All-Star Shoe Band: Richard Dworsky, piano, keyboard; Peter Ostroushko, fiddle, mandolin; Pat Donohue, guitar; Gary Raynor, bass; Arnie Kinsella, percussion

Guests
Owana Salazar, vocals, slack-key guitar, steel guitar • Danny Carvalho, slack-key guitar • Puamana: Mihana Souza, guitar and bass; Aima McManus, ukulele and bass; Luanna McKenney, ukulele and guitar • Na Pali: Carlos Andrade, slack-key guitar; Pat Crockett, ukulele, slack-key guitar; Fred Lunt, Hawaiian steel guitar; and Pancho Graham, bass


Music
TISHOMINGO BLUES
--Garrison Keillor, Guy's All-Star Shoe Band
--w/m: Spencer Williams; new words: Garrison Keillor
--© 1917 Joseph W. Stern and Co.; © 1989 Garrison Keillor


HI'ILAWE/WATERFALL


--Owana Salazar
--w/m: Sam Lia, Jimi Hendrix
--© Lia/ Hendrix
--rec.: "Wahine Slack N' Steel" Moonbow 11030


HULA JAZZ


--Owana Salazar, Richard Dworsky, Gary Raynor, Arnie Kinsella
--w/m: Owana Salazar
--© Owana Salazar
--rec.: "Hula Jazz" Punahele Productions 11015


DOLPHINS script underscore


--Richard Dworsky
--m: Richard Dworsky
--© 2006 Richard Dworsky (BMI)


AWAAIAULU


--Na Pali
--w/m: George Kalei'ohi Sr.
--© George Kalei'ohi Sr.


NAPALI OUTLAW


--Na Pali
--w/m: Carlos Andrade
--© Carlos Andrade


POWDERMILK BISCUIT THEME


--Garrison Keillor and Guy's All-Star Shoe Band
--w/m: Garrison Keillor
--© Garrison Keillor


HULA BLUES


--Danny Carvalho
--m: Johnny Noble, Arr. Sonny Chillingworth
--© EMI Catalog
--rec.: "Slack Key Journey-On My Way" Lava Rock Music 001


SONG FOR ALLIE


--Danny Carvalho
--m: Danny Carvalho
--© Danny Carvalho
--rec.: "Slack Key Journey-On My Way" Lava Rock Music 001


ETERNAL FATHER, STRONG TO SAVE


--Garrison Keillor, Richard Dworsky, Gary Raynor, live audience
--w/m: John Dykes


MILLWOOD RAG (intermission)


--Guy's All-Star Shoe Band
--w/m: Pat Donohue
--© 1999 Salspot Music (BMI)


DOWN ON MAUNAKEA STREET


--Puamana with Richard Dworsky and Arnie Kinsella
--w/m: Irnyard Farden Aluli
--© Criterion Music


E MALIU MAI
--Puamana
--w/m: Irnyard Farden Aluli
--© Criterion Music


GUY NOIR THEME

Richard Dworsky, Gary Raynor, and Arnie Kinsella
--w: Garrison Keillor
--m: Richard Dworsky
--© 1995 Keillor/ Dworsky


GUY NOIR script underscore


--Richard Dworsky
--m: Richard Dworsky
--© 2006 Richard Dworsky (BMI)


HAWAIIAN SOUL
--Danny Carvalho
--m: Jon Osorio and Randy Borden
--© Malame Media L.L.C.
--rec.: "Slack Key Journey-On My Way" Lava Rock Music 001


RHUBARB script underscore


--Richard Dworsky
--m: Richard Dworsky
--© 2006 Richard Dworsky


BEBOPAREBOP RHUBARB PIE THEME (in "Rhubarb" script)


--Garrison Keillor, Sue Scott, Tim Russell, and Guy's All-Star Shoe Band
--m: traditional
--new words: Garrison Keillor © Garrison Keillor


VETERANS DAY POEMS underscore


--Danny Carvalho
--m: Danny Carvalho
--© Danny Carvalho


TENTING TONIGHT (TENTING ON THE OLD CAMPGROUND)


--Garrison Keillor, Na Pali, Puamana, Danny Carvalho
--w/m: Walter Kittredge


HULA script underscore


--Richard Dworsky
--m: Richard Dworsky
--© 2006 Richard Dworsky (BMI)


KAMLI'I


--Na Pali
--w/m: Carlos Andrade
--rec.: "Na Pali" Awapuhi Productions 8538


In Garrison Keillor's latest book, Lake Wobegon native Margie Krebsbach dreams up the idea of a trip to Rome, hoping to get her husband Carl to make love to her -- he's been sleeping across the hall and she has no idea why. She finds a patriotic purpose for the journey. A Lake Wobegon boy, Gussie Norlander, died in the liberation of Rome, 1944, and his grave, according to his elderly brother, Norbert, is in a neglected weed patch near the Colosseum...
It's a story of Wobegonians in a strange land, telling stories of kinship and self-revelation -- all delivered with Keillor's trademark humor.
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From Garrison Keillor:
--When I was 16, Helen Fleischman assigned me to memorize Shakespeare--s Sonnet No. 29, --When in disgrace with fortune and men--s eyes, I all alone beweep my outcast state-- for English class, and fifty years later, that poem is still in my head. Algebra got washed away, and geometry and most of biology, but those lines about the redemptive power of love in the face of shame are still here behind my eyeballs, more permanent than my own teeth. The sonnet is a durable good. These 77 of mine include sonnets of praise, some erotic, some lamentations, some street sonnets and a 12-sonnet cycle of months. If anything here offends, I beg your pardon, I come in peace, I depart in gratitude.--

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